When I heard “Passing Me By” in 1992, I understood the lo-fi aesthetic in the crackling needle and distorted, ghostly organ sample from Quincy Jones’ “Summer in the City”. The saxophone precursor to the chorus also introduced me to a more sophisticated rap-jazz fusion. This article or section may https://musiclofifree10863.blogpostie.com/52990424/new-passo-a-passo-mapa-para-lo-fi-headbang